Audio Slugs is a producer from Portsmouth. Starting out in 2015 he quickly established himself in the Grime scene, and his consistency over the years has scored placements with the likes of P Money, Little Dee, Jammer and Hardy Caprio to name a few, whilst also releasing his own feature singles with JME, Tommy B, Coco, Manga Saint Hilare and more.

In 2017, Audio Slugs produced arguably one of the most notable modern day Grime classics titled ‘Back 2 Back’ with P Money and Little Dee, racking up an impressive number of streams across all major platforms and being featured across a range of editorial playlists culminating in the ‘Grime Classics’ playlist on Spotify. After a string of successful placements Audio Slugs worked closely with foundational Grime legend, Diesle D Power, and had a number of releases distributed on his label EB Records.

Although predominantly successful in Grime, Audio Slugs is not just a Grime producer. He can and has produced across a wide range of genres including, but not limited to, Rap, Garage and Drill and as a keen pianist keeps an open mind about breaking boundaries between genres.

Born and bred in Suffolk, Alfie Indra brings you upbeat bedroom-pop vibes with contrasting raw and melancholy lyrics. His most recent releases have received support from BBC Radio 1, BBC Introducing in Suffolk, BBC 6 Music and BBC Asian Network. Alfie made the Final 5 of BBC Radio 1 ’s Live Lounge Introducing competition and received high praise from the judging panel consisting of the likes of Clara Amfo, Arlo Parks and YUNGBLUD. Fresh from supporting Tom Grennan and playing at BBC Radio 1 Big Weekend 2022, Alfie is gearing up for an exciting 2025 with big plans for live shows and fresh releases.

Ash Pearson is a dynamic hard dance / bounce / electronic music producer and DJ known for delivering high-energy tracks that fuse euphoric melodies with pounding beats. Hailing from Halifax, UK, Ash has built a strong following through club-friendly anthems and infectious drops that resonate across festival stages and streaming platforms.

A signature moment in his career came in 2023 with the release of “Thank You”, a collaboration with UK trance / electronic artist Ben Nicky. The track, released via Xploded Music, stands out as one of his most well-received works to date, showcasing his ability to blend his hard dance style with trance-derived production to reach broader electronic audiences.

Since then, Ash Pearson has continued to push sonic boundaries. His sound oscillates between bounce, hard dance, and euphoric trance elements, often layering big synth-leads, energetic rhythms, and crowd-moving hooks. With millions of streams under his belt, he’s not only gaining traction across streaming services like Beatport and Spotify, but also earning respect in the hard dance scene for his versatility and production polish.

Benjamin Haycock blends melodic, percussive and fingerstyle guitar with honest, personal and accomplished lyricism that is up there with the best. He laces this with incredibly tight rap flows and raw, emotive and powerful singing vocals. This is all interwoven to create a truly unique sound with strong character that derives from his personal experiences growing up in inner city Birmingham, and moving to the Devonian Coast in his early 20s.

Starting out, Benjamin was the songwriting front man to a successful eclectic band that performed at the likes of the 02 Academy, which included instrumentation from ‘Little Comet’s’ drummer Nathan Green. In 2018, he released his debut EP called ‘Time’s Transgressions’. Off the back of this, he was announced as one of Fender’s ‘Undiscovered Artists of the Year’ and later played at Ad Week Europe. Throughout this time, his music videos were watched by hundreds of thousands of people on large Facebook platforms’ such as ‘Music Crowns’.

In 2021, Benjamin appeared on ‘The Voice’ and blew away everyone with his original song ‘Restlessness’. Suffice to say, all four coaches turned for Benjamin. He subsequently released ‘Restlessness’ and his sophomore EP ‘Enigma’s Quay’, which both topped the Singer-Songwriter charts. He subsequently partnered with Australian guitar company ‘Maton’ and became one of their prestigious artists and global ambassadors. Some names on their roster include the likes of John Butler, Tash Sultana, Josh Homme, Keith Urban and Neil Finn.

Benjamin finished the year with his single ‘Force for Nature’ which he released in collaboration with The Tree Council’s environmental campaign ‘Be a Force for Nature’. The music video premiered to over 2,500 schools, with the song later featuring within the prestigious NOTION magazine. Subsequently, Benjamin was commissioned to produce a musical composition for a film which was displayed at the COP26 Climate conference in Glasgow. He finished the year with 2.5 million Spotify streams, and over 200,000 listeners.

Benjamin’s latest endeavour was in his single ‘Homeless Winters’, which he partnered with the biggest homeless charity in the UK, Shelter. The music video was filmed/directed by Jonathan Pears, who has worked on some of the biggest films over the years in LA and was fresh off a set with Morgan Freeman and Gerrard Butler. Such was the quality of the video, it was exclusively released by VEVO.

Brighton based Big Spring was originally formed as a three piece in late 2015 by brothers Ollie and Alex Loring along with drummer Chris Steele. Taking influence from 90’s-esque fuzz drenched guitar riffs, Big Spring soon after released their debut single ‘Buzzards Leave the Bones.’

Upon hearing the song, Radio 1 Rock Show host Daniel P Carter made it his ‘Rockest Record’ and labelled the band as ‘the best new band in Britain.’

At this point Big Spring hadn’t played a live show, so they spent the first half of 2016 working on their live performance and writing more material. They then recruited guitarist Jack Rowan, completing the line up as a four piece.

After releasing their second single ‘On a Bamboo Sleeping Mat’, the band were invited to play at Reading & Leeds festival for only their fifth and sixth ever live performances.

This was followed by tours with Black Foxxes, Decade, The Xcerts and Turbowolf alongside various single releases.

The band announced at the start of 2018 that they were recording their debut EP which would be released mid 2018.

Big Jest aka Big J Boogie! Listen Carefully! #Punchline King

Blean is a Liquid Drum & Bass producer whose atmospheric beats and intricate soundscapes are carving a distinct path through the world of electronic music. Known for blending soulful melodies with deep, rolling basslines, Blean creates tracks that are both uplifting and immersive, evoking a range of emotions while keeping listeners locked into the rhythm.

Drawing inspiration from a broad spectrum of musical influences, from jazz and ambient to the smooth textures of downtempo, Blean’s work is defined by its balance of melodic beauty and technical precision. Each track is an exploration of sound, designed to take the listener on a journey while showcasing the versatility and complexity of Drum & Bass as a genre.

Having gained recognition in the Liquid DnB scene, Blean has steadily built a reputation for his unique approach to production. His releases continue to resonate with fans and fellow artists alike, earning him a loyal following and making him a staple in the underground Drum & Bass community. With a growing catalog of tracks released on notable labels and a string of successful collaborations under his belt, Blean’s sound has found its way onto global playlists and festival stages.

Beyond the music itself, Blean is dedicated to pushing the boundaries of what Liquid Drum & Bass can be. His vision is to create an atmosphere that connects with listeners on a deeper level, allowing the music to transcend the dancefloor and become a space for reflection, release, and connection.

As he continues to evolve as an artist, Blean is poised to make an even greater impact on the scene with forthcoming releases and live performances that showcase his passion for both innovation and the timeless elements of Liquid Drum & Bass.

CURRENT RELEASES

– Fokuz Recordings
– Celsius Recordings
– Beats in Mind: Headsbass
– Grand Theft Audio
– Mathematica Records
– Jungle Cakes

Confz is an emerging grime artist from the UK, recognized for his innovative blend of grime with other genres while pushing the boundaries of the UK’s underground music scene. Over the past year, his music has gained considerable traction, especially on TikTok, where his videos have garnered over 2 million views collectively. This success attracted the collaboration of prominent figures with Confz, including U.S.-based producer Kyle Beats (no.1 YouTube producer), DNMO, Way2late (Grades & Monroe), Keeya Keys and more.

Confz’s dynamic style earned him a spot on TikTok’s Oi TikTok Cypher 2022, where he performed alongside some of the top talents in the UK, the event was hosted by Ms Banks and Knucks.

In 2024, Confz took his career to new heights with the release of his deluxe LP, Lost Diaspora. The album showcases his versatility and commitment to collaborating with a diverse range of artists, featuring local talents such as Nix Northwest and FACESOUL, as well as international artists like Soli (AUS). The LP garnered over 1 Million Streams with the lead single “Thatched at Night” streaming over 500K streams.

Additionally, his growing reputation was further solidified when he was featured on the official soundtrack of £EA FC 25 with the track “On Job,” collaborating with fellow UK artists Keeya Keys and Way2late. Confz also released his first DNB track called Slumber with artist producer DMNO which has since amassed 1M+ Streams on DSPs.

Blending grime flows with experimental beats, Confz is steadily rising in both the UK and international music scenes, showcasing his versatility and global appeal.

Coral Palms is a sun-drenched indie pop artist bringing a splash of West Coast energy to the UK scene. Blending infectious hooks, tight grooves, and a sharp lyrical edge, Will’s sound draws comparisons to The 1975, Two Door Cinema Club, and COIN — pairing feel-good melodies with an unmistakable live energy.

With a growing fanbase and undeniable momentum, Coral Palms has made standout appearances at major festivals including Dot to Dot, The Great Escape, Y Not, Hanwell Hootie, Goatfest, Rewired, and most recently the Main Stage at Bournemouth 7s. On the live circuit, he’s supported Shambolics and Spangled at sold-out shows at The Water Rats and Signature Brew Haggerston, respectively.

Headline performances have included sold-out shows at The Star, Shoreditch, Hertford Corn Exchange, and The Victoria, Dalston, solidifying Coral Palms as a rising force in the UK indie pop landscape.

Now the solo project of songwriter and guitarist Will Thomson, Coral Palms is fast becoming one of the most exciting new voices in British indie. Blending sharp guitar-driven songwriting with undeniable pop sensibilities, the project delivers polished, hook-laden tracks that resonate with a growing global audience.

Since falling in love with dance music as a teenager, Charlotte Devaney has has worked tirelessly over the last decade to become one of the most unique, multi-faceted artists on the electronic underground. Over the course of her career so far, she’s been a headline DJ, platinum-selling musical artist, radio host, record label owner, animal rights campaigner, video director and even a Hollywood actress.

It is undoubtedly for DJing that Devaney is best known. She was initially obsessed with hardcore, jungle and drum & bass, & was taught to DJ by some of Britain’s most iconic DJs, inc Fabio and Randall.

Devaney’s DJ career has flourished since she made her club debut in 2009, notching up headline sets in such far-flung places such as Croatia, Qatar, Thailand, Turkey, India, Italy, Bali and Barbados. Her success is due to her innate ability to read a crowd and rock a party with an eclectic, bass-heavy mixture of music. As well as possessing tight technical skills & inspired track selection, Devaney is also renowned for delivering lively and passionate performances where she takes to the mic to host & spit rhymes.

Devaney has collaborated with an impressive list of artists, including Rich The Kid , Riff Raff, Lil Debbie , LadyLeshurr , Bali Baby , Ms Banks , Fatman Scoop , Ragga Twins, Tanya Lacey, MC Neat, and the legendary Snoop Dogg. Her cut with the latter, 2016’s “Flip It”, became a crossover smash worldwide, eventually being awarded Platinum status by ARIA.

Dutch Criminal Record are an indie surf pop trio from Portsmouth, UK. They have created their own brand of guitar driven surf anthems that have been gaining attention from widening audiences.

DCR have been championed by Tom Robinson of BBC 6, Its All Indie, Amazing Radio, and Radio X.

They have just set off on their current UK headline tour, selling out Bristol Rough Trade on the first night. The past year has also seen them support names such as Sea Girls, Ra Ra Riot and Spinn.

DCR have also received recognition from Spotify Official playlists such as Fresh Finds, Six Strings, Hot New Bands, and Happy Stroll. This has helped them gain a worldwide audience and they even managed to climb into the US Viral Top 50.

The Declan Swans are a comedy Indie band from Wrexham who are passionate about Football and Wrexham FC.

They have been creating popular tunes relating to Wrexham and its wider Community for well over 20 years.
The original concept of the Band was to turn Michael’s poetry into catchy humorous tunes.

Early influences include Paul Giovanni (The Wicker Man) Paul Heaton and Half Man Half Biscuit.
When you put these 3 together in your head, the result is unsurprisingly unique and hilarious.

The Swans had early successes appearing on Channel 4’s ‘The Big Breakfast’ and appearing on Radio 1.

In December 2020, the Swans released ‘Always Sunny In Wrexham’ which transformed them from a local Wrexham/ North Wales Band to gaining Worldwide recognition.

The tune featured heavily on Disney Plus’s ‘Welcome to Wrexham’ series and enabled the Band to expand their fan base to a global audience, including North America and Europe.

The song is regularly played and sung at Wrexham FC fixtures and has been shared on social media platforms by Wrexham FC owners Ryan Reynolds and Rob McElhenney.

ome how a veteran and one of music tasting rising prospects at the same time North West London based rapper/songwriter Dpart has managed to carve his own lane in a heavily saturated scene.

From humble beginnings in the Perryfiled estate in West Hendon Dpart who lost his mother to alcohol at the age of seven while his day was in prison is first to admit that music saved his life.

Workrate is something Dpart has never shied away from being on of the first rappers to appear on linkuptv and sbtvs warm up sessions due to the impact of his concious hip hop.

Since Dpart has focused his attention the dance scene particularly with Drum and bass amassing millions of streams in a relatively short time doing it and creating multiple viral moments across social media it seems like the work is about to pay off in a big way!

D Power Diesle is a co-founder and pioneer of the UK Grime scene. He began the journey with Deja Vu radio station which he co owned, that led to the amazing wave of Artist from the “Class Of Deja”. Artists such as Kano, Skepta, Lethal.B, Tinchy Stryder, Ghetts plus many more were all a part of that famous class.

Diesle originally started out as a DJ playing Jungle, Garage and then finally Grime. His Dj sets are some of the most famous in the history of Grime, like Dizzy Rascal V crazy titch and Lethal.B V Wiley.

D Power Diesle is also a producer that has produced Grime bangers from the days of Channel U.

Then Diesle decided Mcing was his thing and picked up the microphone, Since then he has had songs with Skepta, Ghetts, Big Nastie, Boy Better Know plus many more top tier UK artists.
In the past 3 years he has dropped 3 full Grime projects that feature some of the best UK talent, the EP series “Graphene EP” has done millions of streams and downloads. The EP series has been of very high quality in all areas especially at a time when there has been a lot of talk about whether Grime is dead or not.

2025 is going to be a very busy and exciting time for Diesle as he is ready to drop Volume 4, Volume 5 and he is doing live headline shows throughout the UK.

Paul Nii Amu Andrew Darko, popularly known as DarkoVibes is a contemporary multilingual Ghanaian singer/songwriter. He is known for blending genres & interweaving them with multiple Ghanaian languages, with Ga being his forte alongside Afrotrap & Afrobeats, a trademark that runs through his catalogue.

Derby based Grime MC Eyez, has been steadily building and crafting his place in the Fashion, Sports & Music scene, and pushing the UK sound forward over the past 8 years. Eyez was ranked 1st on Instagram for the most influenced profile in Derby & 4th over all in April/May 2018

Whether it’s dropping one of his trademark high energy tracks, such as ‘Top Boy’ (Which can be heard on FIFA19), or Modelling for fashion brands, Eyez never fails to deliver. Whilst fully focused on music, Eyez’s infectious lively personality, has also led to presenting and hosting opportunities. After his team were crowned champions of Redbull’s Grime-A-Side tournament in 2016 Eyez was recruited to co present the following year, and he can currently be found as a presenter for Championship club Derby County FC. 

Ellie Bleach is an Essex born, London-based musician with a flair for the dramatic. Her affections lie in the era of easy-listening, with her storytelling lyricism cutting through the narratives of false naivety. Combining sardonic, astute observations with silky vocals and shimmering instrumentals, Ellie’s music is reminiscent of an older elegance without sacrificing its relevance to the sometimes harsh modern reality.

When FEET self-released their debut album in 2019, the group offered up a particularly oblique title: What’s Inside Is More Than Just Ham.

But once fans and casual listeners alike delved into the record, it didn’t take long to realise that the band were offering something far meatier than wafer-slim slices of that eponymous sandwich filling. Instead, here was a record that saw them carving up thick slabs of guitar music that careered wildly between flavours of indie-pop, psych, and even subtle shades of new wave across an exciting and brilliantly unpredictable 35 minutes.

The album attracted acclaim from music titles across the land, but there was praise for the band’s bold visuals too. The video for ‘Petty Thieving’, one of the band’s early standouts, came accompanied by a video that saw them donning armour and chainmail to stage the silliest Medieval fight since Monty Python and the Holy Grail.

Since then, FEET have been slowly readying themselves for a grand return. 2021’s Walking Machine EP showed that their reputation for jagged guitars and spiky lyrics remains firmly intact, while prominent live shows have seen them supporting the likes of Inhaler and even The Rolling Stones at their huge 2022 Hyde Park shows.

But all of it, the band say, has been leading to this: the start of a new era that will beckon in their anticipated second album.

The first taste comes today in the form of comeback single The Real Thing, which bounds along with spiky guitar lines, an endearingly wonky groove, and the razor-sharp pen of frontman George Haverson.

“Am I in-between, something more like a dream, or is this The Real Thing”, Haverson posits on the track.

The answer to his question, you sense, is that it’s very much the real thing in all senses. It feels like a massive step up for a band who are clearly ready to make their anticipated return and grab it with both hands.

As Haverson explains, it’s the sound of a band who have become more regimented with their approach in the search for greatness.

“There’s no throw away ideas on this album and everything has to have its place. It has to be ironed out and perfected,” he says.

“I don’t like to say polished, but it is perfected to a point where everything can be done in its fullest form. I feel like we’ve got 12 complete songs on this album and not 12 ideas. We’ve made the FEET machine and now it’s a case of inserting the right idea and the output is a great song. Before, it felt a bit more like we were throwing shit at the wall. This time round, everything feels a bit more refined.”

One full listen to their second album – the upcoming Make It Up which arrives on Submarine Cat Records – shows exactly what Haverson means.

It’s a cohesive and fully formed record that builds on the sonic DNA of their debut, while effortlessly taking it to the next level too. The first track ‘Better Than Last’ is defined by its flitting guitars and airy groove, while another standout comes in ‘Greasy Boy’ – a charming slow-burner that grows into something quite magnificent.

All of this, the band explain, is defined by a newfound identity and understanding of what the nature of their own friendship as bandmates is too.

“We spend a bit less time together,” he explains – having written their debut album in eclectic places such as a caravan and even a brief spell when the band stayed in a Bournemouth retirement village.

“But the time we spend together is valued so highly. In fact, I wouldn’t say that this album took five years to write. It just took three or four years for us to gel in an entirely different way. We’ve shed our skins and we’ve developed in quite a major way, which I think we need to do before we began working on a second album. Instead, I think there’s a lot of our lived experience in there and that made this album really easy to write.

“Everyone’s roles in this band are so defined now that we’re coming at the same ideas, but we’ve each got our own perspective.”

He adds: “Being in a band is a big chunk of time in your life, but this is a choice we all make, and we don’t ever have to even think about coming back to FEET. It’s like our child, really, and we’re all the surrogate fathers of this band! That keeps us together, this desire to create and make something that’s truly great.”

Another thing that comes across in the record is Haverson’s confidence as a lyricist too. The bold visions of their debut album remain, but it’s tempered with the life experience of a man who has been up to other things in the last five years.

“I saw this whole other side of George in these songs,” says drummer Ben Firth.

They also boast a great producer in Andy Savours, who has previously been behind the mixing desk for some of Britain’s most boundary-pushing bands of the last decade – including Black Country New Road and The Horrors.

“Spending five weeks with him as well as in the studio, it felt like a home from home and he created the atmosphere of the album. He’s the one who created the sparseness of it and added the bells and whistles on it,” says Firth.

And the through-line through it all, they explain, is a desire to create great guitar music.

“When we constructed this album, we wanted to keep it very simple in the way we did everything and that’s because I want people to listen to the album and be able to play it too. I want kids to pick up guitars like we all did when we were 14 or 15 and sit in the practice room and learn them at lunchtime,” says Haverson.
“That’s our whole ethos as a band and our general creative output. It needs to be accessible and repeatable.”

A very welcome return, then, for one of Britain’s most inventive bands, starting a new chapter afresh that builds on the brilliance of their first outing and takes it to a new level entirely. 2024, it’s fair to say, is ready for Feet to stomp all over it.

What goes around comes around… After 10 years of grafting and crafting away at the controls, dabbling with a variety of styles from hip-hop to dubstep via grime, London producer Fixate – AKA Declan Curran – is now respected as one of drum & bass’s most innovative, left-sided artists operating around the 170 axis.

Old news: he’s been easing himself into this position since he first officially emerged in 2014 on Diffrent and followed it up with the massive Throwback Therapy EP on dBridge’s Exit. Status galvanised by his role in last year’s evergreen gully project Richie Brains, he’s since delivered two more fizzy fusions in the form of March On and, this week, What Goes Around Comes Around.

Flexing a blend that tastes just as much of techno, house and dub as it does drum & bass, Fixate releases are rife in unusual grooves and never follow formula. What Goes Around Comes Around is no exception. In fact it could be his broadest statement to date as it ranges from the loose-limbed celebration of every roller ever made….

Los Angeles-based pop artist Brieanna Grace is best known for her energetic live shows and modern grunge style. With lush soundscapes, hints of lofi and big choruses, her music draws influence from artists like Lady Gaga, Sia, Lana Del Rey and Billie Eilish.

Brieanna’s work in live music and corporate events found her performing on the main stage of Heart of Rock Festival, the City Of Houston’s NYE, MGM Grande Casinos, and the Alamodome in front of over 80 thousand people. Playing along side artists such as Alice Cooper, ZZtop, DJ Avelon, Trigger Proof and more.

Soon after, her debut album release “Good Machine” Grace was coined as KTSW radio described, a Pop Sensibility artist.

In a world of Bubble Gum artists, Brieanna explores pop using the darker side of modern life as her biggest inspiration and influence on her lyric content. “We all go through difficult times, heartbreak and mistakes. Someone needs to sing about them in a way that their listeners know that they’re not alone, and that we will get through it together.”

Grim Sickers isn’t your average grime MC. Born in Bristol with a half-Indian and half-Jamaican heritage, he burst onto the scene in 2013 as part of Lord of the Mics V, taking part in one of the series’ most entertaining clashes.

Since then, he’s worked tirelessly to establish himself as one of grime’s most unconventional and distinctive voices, appearing on tracks and sets with other up and coming MCs as well as going bar-for-bar with grime legends such as Ghetts, Jammer and Discarda.

Making the transition from pirate radio regular to stageshow don, Grim Sickers quickly became known for his electrifying live performances, lighting up stages across the country with his inimitable energy and enthusiasm.

Grim Sickers has also carved out a reputation for writing memorable hooks and rhyme sequences, peppered with pop culture references, a dark sense of humour and incredible detail. His biggest success so far has been “Kane”, the Swifta-Beater-produced single released on the label of Birmingham creative Despa Robinson and legendary The Streets frontman Mike Skinner. The track went on to be featured as KISS FM’s Track of the Week, as well as being spun heavily on Radio 1Xtra and more.

Whether it’s on air at 1Xtra, Rinse FM or Radar Radio, onstage at festivals, raves in the UK or as far-flung as the Czech Republic, you can expect to see plenty of Grim Sickers in the future, dressed head-to-toe in black with a mic in his hand, delivering bar after bar with the swagger and presence of a WWE superstar cutting the promo of his life.

Manchester’s own glue70 is poised to become the soundtrack to modern life: an historically DIY approach has already garnered him over 30m streams (Casin), high-profile industry attention, and a loyal online following. And his newest release, 2070 (Majestic Casual Records), is set to propel him and his signature blend of mercurial electronica (aka “gluestep”) to new heights.

glue70’s sound is a rich musical tapestry: from a childhood of reggae, French house, breakbeat and sampled hip-hop comes this warm and unique intersection of feather-light house and kick-laden R&B. It’s no surprise that Dilla, Doom, Daft Punk and Boards of Canada feature heavily on his list of formative influences – but it may be more surprising that he learnt his craft making music on video editor Sony VEGAS.

Years spent in the visual arts have woven a visceral thread of soft-focus ‘80s nostalgia into glue70’s music; the result is wistful, introspective and undoubtedly human lo-fi breaks. Through improvisation, silken vocals and loop-based music creation, glue70’s deceptively minimal sound flits from house to hip-hop and jazz to disco in inimitably chill fashion. Lean in and turn it up – you’re listening to the future.

Bristol dubstep mainstay Gemmy has been a key figure in pioneering the city’s electronic music identity since arriving on the scene in 2008. His debut release ‘Bk 2 The Future’ on Peverelist’s legendary Punch Drunk imprint was followed up rapidly with the anthemic ‘Supligen’, released on the equally seminal Planet Mu. He has since released work on numerous respected labels including Tectonic, Bandulu, Soul Jazz and Earwax, as well as forming his own label ‘World Of Wonders’; all showcasing the distinctive purple sound formulated and popularised alongside fellow Bristolian contemporaries Joker and Guido.

Following a short hiatus, Gemmy came back to the scene in late 2021 with the self-released ‘We Still’ where he expertly blended his signature purple sound with the UKG stylings of his youth, recruiting garage legends Kie & Troublesome along with rapper Jaz Kahina on vocal duties. He’s keeping up the pressure moving into 2022 with the imminent release of the ‘Irreversible Culture EP’ (featuring fellow Bristol legend RSD) on Infernal Sounds, and a slew of independently released vocal tracks in the pipeline. Known for his melodic funky, grime- inflected rhythms and punchy sub bass lines, Gemmy has long established his position as one of dubstep’s most influential producers.

JyellowL is a conscious hiphop artist/ rhythmic poet quickly rising up the ranks with his thought provoking yet mind soothing music. Based on Ireland, this artist speaks on topics that transcend Irish borders and are relatable to people across the globe. Following his break out singles ‘Life Right Now’ (2016) and ‘yellow thoughts 1’ (2016) he released his debut EP titled “Bulletproof”, a project centered around inspiring mental strength and resilience amongst his listeners through the lyrical content of his music. He speaks about his personal experiences while relating back to the general population. JyellowL makes his intentions clear in the first track of the EP ‘Falling’ by saying “let it be clear im not here to scare I’m here to enlighten”. He has made his intentions for greatness and longevity clear and judging from his music JyellowL is on the right path.

JiKay is a British music producer whose sound is the culmination of a broad music taste and influences from living in both the UK and US. His music brings together influences from rap, electronic music and R&B. In 2012 JiKay founded ‘All Trap Music’, a Youtube channel (then later, label and live events brand) devoted to showcasing the best in new Trap music. After launch the channel grew rapidly, amassing millions of views due to popular tracks from Flosstradamus, Baauer, UZ, Hucci, Stooki Sound and more. This ran alongside the growing popularity of JiKay’s own material that went on to gain him support from Earmilk, THUMP, Complex, Mistajam, Trap City, BBC Radio 1Xtra.

Alongside his own projects, JiKay has recently been producing records for a variety of other artists such as Novelist, Jazz Cartier, Thouxanbanfauni and many more.

Looking towards the future, JiKay wants to push himself even further by delving deeper into his sound and creating projects that take listeners through a journey of his life sonically. He aims to work with more vocalists and producers to create things people have never heard before.

Multi talented, multi genre artist Jafro brings a huge host of flavours to the table. Leicester based but of Scottish and Guyanese descent, Jafro manages to create a gratifying fusion sound – effortlessly tying together elements of Grime, Afrobeats and R&B and lacing them with his sultry vocals and raw rap style.

Jay0117 is a Bristolian artist who made a name from himself in the grime scene. He has performed all around the world. After tearing up Redbull’s ‘Grime’A’Side’ then going on to clash on the famous Lord of the mics Platform in London, Jay0117 has well and truly put Bristol grime back on the map. Jay0117’s showed versatility over the recent years, doing other genres of music including drum and bass and hip hop. Jay0117 owns a label called ‘Cheese&Bread Records’ – #Bristol2TheWorld.

Joely, a 26-year-old drum and bass/grime producer hailing from the vibrant city of Nottingham, brings a fusion of pulsating rhythms and gritty beats to the music scene.

Joely has a string of releases on esteemed drum and bass labels like Jungle Cakes, Liondub International and DnB AllStars, which saw him take his distinctive sound on the road, embarking on a sold-out tour of New Zealand, playing nothing but his own productions.

More recently, Joely has gone back to his first love of ‘Grime’ music and all things 140. Regular plays on DJ Slimzee Rinse FM show and his collaboration with Grime heavyweight Grim Sickers has catapulted him into the spotlight of the Grime scene, earning him recognition among top grime artists.

With a signature sound that blends pulsating drum patterns with haunting melodies, Joely continues to push the boundaries of Grime music, cementing his status as a rising star in the music industry.

“It is both necessary and impossible for nature to accept civilization”

Jammz is a grime MC and record producer from Hackney, East London and the founder of the record label I Am Grime.

Career
Although he had already released an early mixtape, Jammz started to make a proper name for himself in 2014, and was frequently cited as part of grime’s “radio renaissance” of those years due to his appearances on radio stations such as Rinse FM, BBC Radio 1xtra, NTS and Radar Radio.

His single ‘Hit Then Run’, released in 2015, was voted as Noisey’s Third Best Grime Track of that year and was playlisted on BBC Radio 1xtra. He also collaborated with Plastician on the single ‘London Living’, and Finn & Fallow on the single ‘Final Warning’.

In March 2016, Jammz supported Kano on the UK leg of his Made In The Manor tour and featured on the front cover of the Observer Music Magazine, alongside Krept & Konan, Stormzy, Novelist and Little Sims as part of an article titled ‘How British MCs Found a Voice of Their Own’. In July 2016, he featured in GQ’s documentary The Business of Grime.

In November 2016 Jammz released his Warrior EP to acclaim from Fader, Complex, FACT Mag, Noisey and more, and he performed at his first London headline show in December of that year.

In 2017 he collaborated with DJ Q on the single ‘Who’s That Girl’, an answer song to Dizzee Rascal’s “I Luv U”, and released the singles ‘Oh Please’ and ‘Know Yourself’ (with Westy).

In 2018, Jammz released the highly anticipated follow up to his Warrior EP, Warrior 2, and followed up by embarking on his first headline tour, The Warrior tour, with artists such as Capo Lee, Manga Saint Hilare, Flowdan, & more.

Theatre
In 2018 Jammz began his journey into the world of theatre, appearing in the critically acclaimed play Poet In Da Corner, at The Royal Court Theatre. The play returned to the theatre in 2019, and toured the UK, before being cut short due to the COVID-19 Pandemic.

Since then Jammz has gone on to be commissioned as a composer, musical director, & writer, with his work being showcased in theatres such as The Big House, New Diorama & more.

Personal life
Jammz is of Jamaican and Vincentian descent.

London-based rapper Jay Silva, acquires his melodic tone from a heavy influence from artists such as Sean Paul and Akon. Born in Portugal, he moved to the United Kingdom at the young age of 9. Having attended school, he blended in well with his peers, and initiated his musical career by being a producer.
He decided to step it up a notch, by becoming an artist throughout the years. In October 2015, his breakthrough single ‘See Me Now’ would turn to be a viral record, which seriously took off Jay Silva’s career as a musician. Accompanied by singles such as ‘No Way’ and ‘One Time’
‘, Jay Silva remains one of the
UK’s most prolific artists, having integrated himself successfully with his querky-like music style and innovative flow.

For the under-represented and the misunderstood – for those who’ve always felt out of place in their towns, in their bodies, in this world – King No-One want to offer a safe space to come together and celebrate difference.

“Our drive from the beginning came from trying to prove there’s an alternative way to do things in society as opposed to this traditional, masculine way of living,” begins vocalist/guitarist Zach Lout. “A lot of my early songs were about feeling like you don’t belong to earth, so we want people to really champion themselves and have this ownership over their own identity.”

Initially starting life as an important childhood friendship between Zach and guitarist Joe Martin, from the beginning the pair’s bond was an integral lifeline in a small Yorkshire town that offered few others. Both are neurodivergent, and Zach recalls the difficulties of growing up in a community with little understanding of either’s point of view. “It wasn’t a particularly supportive town or very diverse in any sense. Joe was the only other person who understood me and I understood him; we both offered what each other was missing,” he explains. “Our relationship is more like a brotherhood than a friendship.”

Songwriting, he continues, swiftly became a method of escape. Collaborating as a duo from the age of 11, Zach speaks of the writing process as one that would help untangle the web of emotions stemming from his then-undiagnosed ADHD; “You can get completely lost in your imagination with ADHD. It comes with quite a lot of emotional confusion, and writing has this absolute clarity where what you write becomes this puzzle of what you’re actually feeling,” he explains.

“Because I’m quite a feminine person, it manifested in different ways to your more typical masculine ADHD. I always found that I never fit in at all, and never understood men, but was a lot more at peace with females and a feminine mindset which made me quite ostracised in school. But that ended up giving me a desire to be more flamboyant and own it, which then began to influence the songs quite heavily.”

Along the way, the pair had invited drummer James Basile to join the fold. Having already begun to take the band they’d christened King No-One for its egalitarian principles (“It’s about the idea that no-one is above anyone else, no matter your gender, sexuality, race or anything”) seriously, the then-17-year-olds decided not to buy tickets for that year’s Leeds Festival, convinced they’d find a way to play. A few months later, having won a battle of the bands, they were on the Leeds stage with a renewed belief in what they had started to create. “That small action was enough for us all to have full confidence in us as a band,” he nods.

If there’s a second thread that weaves itself alongside King No-One’s (completed by recently-joined bassist Rob Gration) message of hard-earned self-celebration, it’s one of an equal sense of hard work and determination. Having had a taste of success, but with no financial backing or support behind them, the band decided to take matters into their own hands, busking on the streets of York and building a fanbase in the most grassroots way possible. The money they made went back into the band to fund recordings; by the time they’d put some early songs online and announced a self-promoted gig in a small local venue, they’d already earned a following that was queueing down the street to get in.

“The shows went from 100 people to 600 people in no time, and before we knew it every show was selling out,” Zach says. “York’s a funny place but it just seemed to connect with people, and then that moved over to Leeds and Manchester and London and everywhere we went. When we sold out the [1,500 capacity] Ritz in Manchester we thought, maybe we don’t need to still be busking?!”

Yet though their busking days are over, the frontman credits those early years as integral to shaping the unstoppable live force that King No-One are today. Playing endlessly taught them to be tight and streamlined, whilst moving onto ‘proper’ stages gave Zach the opportunity to lean into his role as a performer with a platform and a voice. “The most important thing is that people who come feel part of something, that these shows are giving them a real sense of power,” he says. “I don’t want to be celebrated, I want the people at the show to be the stars and the heroes in their own stories, and that’s where the new music comes in.”

And so to forthcoming EP ‘Dead Hotel’. Having drip-fed a series of singles over the past few years following 2019’s debut ‘OOMM’ EP, the release marks the first step towards King No-One 2.0. The signature infectious pop-rock riffs and stadium-sized hooks are still present and correct, but this time, following a productive period in which Zach earned himself a Masters in songwriting, everything is souped up – from the probing lyrical world he creates to the ‘80s goth-indie drama that tinges its wares.

“We’re trying to create a little world with this EP, from the songs to the imagery to every idea that comes out – it’s all come from us,” Zach enthuses. “When you listen to that vinyl, you’re opening the door to the Dead Hotel and you can hear these concepts of nihilism and ego death and fragility. They’re the pillars of your typical societal human male all shattering because they’re a construct anyway.”

From the euphoric synths of its title track, via the tongue-in-cheek probe into the fragile mental ecosystem of the performer on ‘I Am Jesus’, via the existential earworm of ‘Forever Young’, ‘Dead Hotel’ is a place to spend the nights until the band’s long-awaited debut album arrives in due course: “a step,” says Zach, “towards the universe” that people can expect from that release.

However, having become the first unsigned band to ever get booked for the NME/ Radio One stage at Reading and Leeds; having nurtured their fanbase from nothing to selling out shows up and down the country whilst remaining completely independent; having cultivated and built a band that really means something, not just for its members but for all the fans that are also seeking something truer and better from life, expectation is something that King No-One are never ones to be bound by.

From the outskirts of Manchester, living with his single mother and two brothers – Kinkai’s music reflects his witness to poverty, social, and various family issues. Taking influence from his Jamaican and Sierra Leonean roots, the rapper’s ear became attuned to a wide range of West African music, Reggae, Jazz, and Hip-Hop. Highly fascinated with his mother’s vinyl collection and the obsession with creating, he would eventually make his own. Originally gaining popularity via a Soundcloud freestyle atop Tom Misch’s ‘Windmills Of Your Mind’, hard work and persistence allowed for Kai to be found performing at Outlook Festival in Croatia as well as prominent stages in the UK. Such  demand saw Kai independently launch ‘Roll The Dice’ in 2017, before his sophomore release, ‘Mellow Mermaids and Malibu’, which fetched over a million streams online.

The 0161 resident releases his indisputable project “A Pennies Worth.” Meticulously produced by long time glue70, the album features Children of Zeus, [K S R] & Blue Lab Beats amongst others. Bandcamp described this LP as “an impressive collection of chill hip-hop tunes with breezy hooks and gorgeous, jazz-infused production” Due to his heartfelt discography, the witty wordsmith has attracted the likes of Majestic Casual and intends to take his music beyond the UK Shores! KinKai continues to carve his way as a bonafide gem of UK underground HipHop. With a rich sense of quality “A Pennies Worth’ is another priceless piece to the puzzle.

KeepVibesNear is an alternative R&B artist from London. With the looks of a 90s R&B superstar and a delivery that owes more to King Krule than to D’Angelo, KVN is different. Raised in Romford with family ties in Nigeria, he calls his music “noir R&B” due to the low, melancholic vibes.

His mixture of lyricism and a sultry melodic sound makes for honest and heartfelt listening. With the theme of troubled love running through the river of KVN’s story, he brings a refreshing vulnerability to his music.

UK rap titan K Koke broke into the UK underground scene with the explosive 2010 mixtape ‘Pure Koke, Vol. 1’, released and distributed independently but selling an incredible 10,000 copies and receiving the award for Best Mixtape and Best Male at the Official Mixtape Awards.

This incendiary rapper turned heads across the industry with a now-legendary freestyle on Charlie Sloth’s ‘Fire in the Booth’ that reached over 11 million views. A record deal with Jay-Z’s Roc Nation imprint soon followed, making Koke the first British rapper to be signed to the label by Jay-Z himself and kickstarting a career that’s seen him perform to crowds the world over and collaborate with globally recognised talents such as Rita Ora, Stefflon Don, Dappy and Maverick Sabre.

The years that followed his debut release saw several more editions in that mixtape series cement his position as a figurehead of the UK’s urban music scene, while a string of infectious singles propelled him into the mainstream. The autobiographical ‘Turn Back’ featured the talents of singer-songwriter Maverick Sabre and preceded ‘Lay Down Your Weapons,’ a 2013 collaboration with pop superstar Rita Ora that reached the UK Top 20. In 2015 the rapper parted ways with Roc Nation, signing a second record deal with Universal that confirmed his status as one of the UK’s hottest rappers and a globally recognised talent.

The years that followed have seen the release of popular singles including ‘Deep in the Struggle’ featuring Aynzli Jones and ‘I’m Back Again’ with Stefflon Don, on top of the fourth instalment in his mixtape series, 2017’s ‘Pure Koke, Vol. 4’, an underground hit that also charted in the UK’s official album charts. Maintaining complete control over his output, the rapper shares his music and visuals via his wildly popular YouTube Channel ‘K Koke TV’, a direct link to fans that receives millions of views. K Koke’s latest release, the ‘FFF Prison’ EP, featuring collaborations with Maverick Sabre, Dappy, Big French and Angel, was released in February 2018.

When he’s not performing sold-out shows across the globe, the rapper can be found in the studio working on his eagerly-anticipated debut studio album.

Leicester born footballer/rapper hybrid Kamakaze is a force to be reckoned with, slaying the game both on and off the pitch. His lifelong love of Grime and Hip-Hop are manifested in his unique lyrical prowess, delivered by his deep and gravelly tone over ear-worm beats.

As a testament to his talents, Kama became the first person ever to feature as an in-game character in FIFA 20, as well as having a song on the soundtrack (and again on FIFA 21) with ‘Last Night’ racking up over 5 million streams to date on Spotify alone off the back of the appearance. His sync success didn’t stop there, when Christmas 2020 saw Kamakaze as the sound and face of Pepsi Max in their seasonal UK & Europe commercial.

With a bright future on the horizon, Kama shows no signs of slowing. His collaborative, introspective 2021 album ‘Wavey Shirt Wednesday II’ is just a taste of what’s to come. Keep your eyes (and ears) peeled.

As a rapper, author, producer and co-founder of record label Blah Records, Lee Scott has been described as ‘an integral part of Hip-Hop in Britain’, with reviewers praising his albums for their ‘thick layers of peculiarity’ with ‘contradictory and self depreciating satire’.

He has been making Hip-Hop since 2003, and followed on from this by starting Blah in 2006. As well as Blah artists, Lee has worked with veteran rapper Jehst on his label YNR and has released music on High Focus Records. In early 2020, Red Bull selected Blah Records as one of its ‘seven UK-based independent labels worth shouting about’.

Multi-dimensional Oxford/London collective Mandrake Handshake showcase a music they call ‘Flowerkraut’: a hedonistic, brain-frying feast of Krautrock, art-pop and psychedelia, spiced with enigmatic grooves and fearless improvisations.

Since forming in 2018, their pristine chaos has garnered a Top 20 debut album, numerous festival appearances, UK/EU-wide headline tours, multiple sold-out London performances and widespread critical acclaim from Uncut to The Times. So… Grab your tambourines! Let down your hair! Fix your third-eye-liner! Come witness the spectacle…

Manish Khullar / Maniscooler. English born mix engineer and music producer, with indian roots. Born in kent and raised in leicester. Influenced by synthesizers and ethereal soundscapes from 80s music and the roots of his punjabi background. Maniscooler started making music at 14, and mainly focuses his production towards pop, r&b, soul, trap , grime and drill.

DJ / Producer Mystry hails from Birmingham and cut his teeth on the airwaves of legendary city-centre radio station Silk City.

A pivotal moment for Mystry was his track ‘Pulse 8’ getting it’s first play at the Red Bull Culture Clash courtesy of Boy Better Know, during the infamous moment where Skepta was joined on stage by Stormzy. Since then, Mystry’s music has gone on to receive heavy support from Huw Stephens, Annie Nightingale, Mistajam, Sian Anderson, Logan Sama, DJ EZ, Sir Spyro, Toddla T, Maximum and many more.

‘Pulse 8’ was premiered ahead of it’s release on i-D Magazine’s Soundcloud, and further success came when it was voiced by JME for the opening track on his latest album ‘Integrity’, which reached number 12 in the UK album charts. The instrumental was used again by Jammer with an all star grime lineup for ‘Royal Rumble’, the lead single on the latest Lord of the Mics compilation; and another Top 20 album position.

Mystry then struck again with Boy Better Know on the Skepta lead track ‘Athlete’, with a feature video from Matt Walker. On top of this, he has been making music & collaborating with various companies such as Wagamama’s, Nike, LOTM and Nandos, and has produced music for artists such as Ocean Wisdom, Durrty Goodz & Foreign Beggars to name a few – meaning he is more than just a Grime producer as some would assume.

Just as at home behind decks as he is in the studio, Mystry has already made his Boiler Room debut and played Fabric Room 1 at their 16th Birthday weekend, their rooftop with Big Narstie & Izzie Gibbs, Reading & Leeds Festival, House Of Vans, Lovebox, Bestival and Parklife.

2019 saw the continual rise of Mystry as he was selected as one of ’22 most influential young stars of the future of Birmingham’ and placed on an amazing permanent mural in Digbeth. He ended the year being responsible for producing ‘Lowrider’ ft. Ocean Wisdom & Ghetts which was placed on ‘NBA 2K21’. 2020 rounded off with Mystry producing the Pepsi Max Christmas advert, and 2021 awaits eagerly for his anticipated collaborative album.

UK based, multi genre producer MNKN has been writing music since he was 13 years old, growing up in bands and learning the craft of playing instruments, writing and recording songs. Over time, this evolved into producing music and lead him to work with local rappers in the North of England. After years of experimenting and developing his craft, he started to find success in working across genres including UK Rap, Grime and EDM Trap.

After several years of steady growth and dedicatedly sharing his process online, he started to attract attention from the likes of Timbaland, Martin Garrix and Professor Green – leading to his first major record label single in 2020, ‘Grandmotha Grave’ by Kevin Gates (9+ million streams).

MNKN has also produced music for household brand names such as Adidas, Braun, and Sky TV, and shows no signs of slowing down his winning streak.

Moon Age are an electronic duo from Stockport, consisting of Matt Hanson and Bryn Shipperlee. Formed in 2024, the pair have quickly established a signature sound that blends lush synth-pop,
groovy nu-disco and smooth electronic rhythms. Drawing inspiration from both legendary artists like Nile Rodgers and Talking Heads and contemporary acts such as Tom Misch, Franc Moody and Crazy P, they blend vintage grooves with modern funk & soul to create a unique sound that’s both nostalgic and fresh.

The project quickly made waves with the release of their 2024 debut single “Lie to Me”, a
sleek fusion of smooth vocals, shimmering synths, and groove-heavy basslines. In March
2025, they followed up with “Time is Running Out”, a sun-kissed summer banger that
further expanded their sonic palette with richer and more polished production. With a
sound that feels tailor-made for the summer stage, Moon Age will surely be setting their
sights on festival slots in the not too distant future

Notching up more than 500k overall streams in a matter of months as well as 40.3k monthly
listeners, Moon Age are a very exciting rising act with a growing fanbase and this upward
momentum is a strong indication of bigger things to come. Showing no signs of slowing down and with lots of new music in the pipeline, they will certainly be ones-to-watch over the next year!

Hailing from Adelaide, Australia, Nelson Dialect has been on a determined path to pursue his craft across the map. Cutting his teeth in the freestyle battle circuit at just 13 years old Nelson has been writing, recording and touring his own music since he was 16. He has received critical acclaim for his work with producer Must Volkoff and their album ‘Magnetism’ which was played on Eminem’s radio station Shade45 by DJ Premier and DJ Eclipse respectively.

For the last 3 years Nelson has lived and worked in New York releasing music with Bronx label Red Apples 45 started by AG of DITC and Ray West. Before moving to New York, he toured extensively in Australia supporting some of the biggest international Hip Hop acts including Mobb Deep, Lupe Fiasco, Ghostface Killah, Gza, Rza, Pharoahe Monch and DJ Premier among many more.

In 2019 he toured Europe with French producer NuTone. His album ‘Opal Mind’ released in August 2020, with NuTone hit number 3 on Australian Independent album charts and was included on Bandcamp’s new & notable list received widespread critical acclaim. In June 2021, Nelson released a full length album ‘Time Means Nothing’ with Bronx producer Ray West on the iconic NYC Hip Hop label Fat Beats.

After his time in New York and abroad sharpening his penmanship and live show performance, Nelson has connected with UK producer Mr Slipz who he sets out to release new music with in 2022. With an already decorated list of achievements and acclaimed releases under his belt, Nelson sets a relentless creative work ethic for himself which indicates there is no limit to where will take his craft.

Singer, model, videographer, rapper; there is seemingly no end to Nah Eeto’s talents. The Nairobi native has spent the last couple of years bridging the gap between Kenyan and UK Hip-Hop, creating a fusion style of rap which draws on influences from both cultures. Tracks like ‘Judge Judy’ have shown how effective that blend of styles is, bringing a refreshing new energy to the UK scene in the process. That energy is forged in part by Nah’s production choices, which display an experimental and exploratory flavour. Her bilingual bars also play their part in Nah’s appeal, as she seamlessly switches from Swahili to English. A multi-talented force to look out for.

Originally hailing from varying parts of the north of England, set behind a backdrop of haze with their mid 20s approaching, Nightbus have quickly defined themselves as the next big thing coming out of Manchester. With their self-described late night music released on the tastemaker ‘So Young’ label, their atmospheric soundscapes beckon you into the mindset of a twenty-something, immersed in the damp, grey, vice soaked north west of England. The band had a summer of festival appearances, including Left Of The Dial, Blue Dot and Float Along, headline shows at Supersonic in Paris, Manchester and London and support shows with Bdrmm across the UK.

Nasty Jack AKA King Kweffa rose to prominence as a vital member of the N.A.S.T.Y Crew (Natural Artistic Sounds Touching You). The legendary Grime collective that featured notable artists like Kano, Ghetts, D Double E, Stormin, Sharky Major, Jammer & Dj Mak 10.

In addition to his group efforts, Nasty Jack is celebrated for his distinct, gritty stage shows and lyrical prowess. He made significant contributions to Nasty Crew’s releases, helping shape their signature Grime sound.

Nasty Jack pursued a solo career, releasing tracks and mixtapes that showcased his unique talent. His versatility as a multi-genre artist, covering hip hop/rap, R&B, and dancehall music, alongside his Grime roots, sets him apart in the music scene. Moreover, Nasty Jack has taken on the role of producer, spearheading the production of most of his own music. His commitment to creative control and innovation further cements his status as a pioneering force in the industry.

Despite personal challenges, Nasty Jack’s honesty and authenticity shine through in his music, resonating deeply with fans. Benjamin Jackson Blades, deeply entrenched in the East London Grime scene despite hailing from West London’s Shepherd’s Bush, remains a key figure in Grime. His gritty style and dedication to Grime’s roots serve as a testament to the genre’s enduring legacy in the UK music landscape.

Prince Baza is a British record producer and studio engineer with over 90 million streams (combined) to his roster.

He has produced popular hits such as “False 9” by AJ Tracey, “Capri-Sun” By AJ Tracey & Chip, “How It Goes” by Remtrex, “Daily Duppy” by Mowgs, “A Girl From Erdz” By Mowgs and many more. Baza has also collaborated with popular urban artists such as Hardy Caprio, Bad Boy Chiller Crew, Wiley, Prez T, Bossman, Big Zuu, Jaykae, Milli Major, Meridian Dan and Moelogo..

Aswell as production, Baza has helped craft many talented upcoming artists around the East Midlands by recording and executive producing their projects. Making him become a household name in the music world.

Emerging in late 2019, it didn’t take long for the London and Manchester group REAVE to establish themselves on the popular music streaming platform Spotify. The self released debut single ‘Get to know Me’ has so far become a fan favorite, with streams to date comfortably into the millions. Eager to keep up momentum, the synth-pop trio released their energetic second single ‘Arms Length’ in 2020, bagging the band their first spin on BBC Music introducing. With five singles already under their belt, the band are set to release more material throughout 2022 and beyond.

Blending classic reverbed guitar, nostalgic synths, and punchy electronic drums, it’s no secret REAVE’s sound has been influenced from the 1980’s pop revolution, but far from a tribute; the band have captured a fresh take on the era by combining modern vocal styles and current music production techniques. This unique balance has allowed the band to write in a wide range of styles, while fundamentally retaining what makes them stand out.

Having already sold out crowds in some of the country’s most well known venues, including Manchester’s Night and Day Cafe, Brixton’s Hootananny, an appearance at El Dorado 2022 gave the band their eagerly awaited festival debut.

Rucci LSE is a rising UK Afro-RnB artist, often described as one of the industry’s best-kept secrets. Growing up east in London with a Nigerian heritage, he has been able to gain attention for his innovative blend of singing and rapping, catchy hooks, and engaging production. His music incorporates vibrant cultural influences and energetic beats, reflecting the dynamism of his city.

Since 2016, Rucci has honed his craft, performing at club shows, radio sets, and collaborating with influential figures in UK music. His style combines unpredictability and ambition, positioning him as an artist to watch in the evolving landscape of British music

Rucci’s breakout single, “No Rush”, produced by Dr. Vades, showcases his exemplary vocals and versatility which resulted in the track being a hit across platforms like TikTok, earning him recognition from prominent artists like Central Cee and Headie One. Its accompanying music video alternates between scenes in bustling London and the sunny beaches of Bermuda, emphasizing Rucci’s international appeal and flair for cinematic storytelling; whilst showing how Rucci champions his hometown and celebrates other cultures.

Stray Ghost is Anthony Baden Saggers; a composer, musician and producer based in Brighton UK.

During a highly prolific decade of music making in which every album seemed to top the last, Anthony has released albums on a variety of labels, self-released several ambitious projects and featured on compilations alongside artists such as Peter Broderick and Nils Frahm.

At the age of 31 his discography stands at an already impressive 12 full length albums, and numerous other releases.

Despite having no formal or classical training and coming from an underprivileged background, Anthony creates elegant soundscapes hovering on the border between classical and experimental and capable of affecting an immediate emotional connection with the listener on an incredibly deep level. From the earlier ambient minimalism of Nothing But Death, through the contemporary pastoral sound of Those Who Know Darkness, See The Light and the two hour long So Much To Remember, So Much To Forget up to his recent masterpiece A Shade Under Thirty, Anthony is a restless spirit, his music evolving in texture and scope, exploring global and social issues with a personal, intimate resonance which is truly, truly unique.

One of the leading young voices of serious and challenging modern British music; he is someone who takes his work very seriously and who also takes a very active approach to forming a dialogue with the anguishes of the society around him; both in his music and otherwise.

Broaching subjects with unmistakable honesty, UK rapper Skeamer documents life in Battersea, south west London. Whether he is lamenting the past, recounting the present, or prophesying the future, Skeamer shines a heavy light on the many challenges he and his peers face on the notorious Winstanley Estate in Clapham Junction. Delivered with lyricism that can resonate with even the further removed listener from his own environment, he embraces hardship and narrates that this is where the foundations of unbreakable social bonds are forged. 

Scott Slatt is a Los Angeles-based music producer and songwriter who draws inspiration from the vibrant LA music scene. With a background rooted in hip-hop, electronic, and experimental music, he masterfully weaves an immersive soundscape using lush synth textures and punchy drums that give his music its signature ethereal sound. Working with a diverse range of artists across genres -from indie electronic acts to hip-hop and pop stars- his productions have been featured in film scores, advertisements, and chart-topping tracks, showcasing his versatility and technical mastery.

Scott has garnered a niche following, especially among fans of the underground rap scene, who appreciate the way he pairs a dreamy, nouveau vibe with unguarded vulnerabilities. Originally a noteworthy producer in the underground rap scene and recognized for his work with the artist Thouxanbanfauni. You can hear their chemistry across several projects, especially on tracks from Fauni’s albums like “Clairvoyance” or “Fall” where Scott’s trap-influenced and atmospheric layering meet Fauni’s raw emotion. With a growing discography and an ever-expanding creative soundscape, Scott Slatt is a name to watch in the world of modern music production.

A celebration of Drum & Bass, Jungle, and Dancehall.

Think Tonk is a high-energy musical project born out of a deep-rooted love for UK and West Indian dancefloor culture. Hailing from Manchester, Think Tonk fuses decades of experience in the rave and soundsystem scenes with a fresh and forward-thinking approach to bass music.

With a sound that spans Jungle, Drum & Bass, Dancehall, and beyond, Think Tonk has earned heavy support from influential names including Bou, Charlie Tee, Fish56Octagon, Bryan Gee, and Tony Colman, to name just a few. Production credits include collaborations with scene heavyweights such as DJ Fresh and Bou, and the energy extends to explosive live performances at Glastonbury, Boomtown, and various dates across the US and Europe.

Rooted in the early ‘90s Jungle and rave movement, Think Tonk’s music has resonated across generations—receiving support from legends like John Peel, Slipmatt, Grooverider, and Annie Nightingale.

A long-time contributor to the UK’s urban dance music landscape, Think Tonk continues to evolve, working with celebrated MCs and vocalists such as DRS, Inja, Spyda, Liam Bailey, and Fox.

This is not just a sound—it’s a movement. Think Tonk is a vibrant journey into everything bashy, bassy, wavey, and ravey. Expect heavyweight rhythms, deep cultural roots, and a dancefloor-ready attitude that refuses to sit still.

The idea of the ‘difficult second album’ often revolves around building on the foundations of your debut record, and slowly making steps forward. For Ethan Barnett – aka Ten Tonnes – though, it was more a case of taking stock and reflecting on the past chapter of his career.

Barnett released his self-titled debut album as Ten Tonnes in May 2019 via Warner Bros, before embarking on sold-out tours and a summer of festivals on the back of an immaculately-produced pop-rock record which saw him work with The Maccabees’ Hugo White and Dan Grech.

In September of that year, Barnett stopped working with Warner, and an all-encompassing stock check followed. Just days after the news, he headed out on a European tour, which he says was a “really really tough” experience. At the time, I thought, ‘What am I doing? What the fuck is going on?’” he says, before taking time off at the end of 2019 and into 2020 to examine his next moves.

Moving back to his hometown during the first six months of the pandemic, Barnett slowly began writing music again, a process he likens to his early days as a teenager, making music in his bedroom for no-one but himself, blocking out the idea of any outside input. “Last year was really important for me personally,” he says, “just to have a break and sort myself out a bit.”

When he did start writing, the revelations poured out, and his next steps became more concrete in front of his eyes. Since then, Barnett has launched his own record label, Silver Heat Records, with a five-track EP due in the summer, and his second full-length album set to follow in early 2022.

“It’s given me the creative freedom to do whatever I want,” Barnett says of his new independent status, with the time he took off allowing him to reflect on the whirlwind period of his debut album, and digest the personal growth that came off the back of it.

Barnett says: “I think regardless of what job I had, if you’re in your early 20’s you’re just working out what you want to do and who you are. I got signed at 19 years old, and it was nice to just have a bit of a break and think, ‘Okay, who am I? What do I like? What don’t I like? What do I actually want to do next?’”

The song that leads the charge for this period of growth is the new EP’s first single ‘Everything You Got’, which sees Barnett making a fierce statement of intent for his future, and throwing everything he has at it. Influenced by the “massive” sounds of ‘80s power-pop and new wave, the track encapsulates the singer’s commitment to full-blooded passion.

Describing writing the song as “a really cathartic experience,” Barnett says: “Looking back on it, it’s about that period of time where I was completely lost, and then reevaluating everything. It’s like, ‘Just go for it and stop thinking so much.”

Thriving with the increased control of being an independent artist – Barnett is commissioning his friends and peers to work on artwork, videos and other material for his upcoming music, and working with a trusted inner circle of collaborators and producers – the last year has seen Ten Tonnes reflect upon the hurricane-like exiting of his teens in the major label ecosystem, the freedom that comes with deciding to do things yourself instead, and the bonuses of slowing down and trying to work yourself out.

“I’m proud of myself for going through all that stuff,” he reflects. “Regardless of music, you still need to work on yourself and grow. I’m in a really creative, fulfilling place.”

The Clause are a four-piece from Birmingham who bring together the swagger of the 60s, the rolling groove of the 80s and the riotous verve and attitude of the 90s. Pearce Macca (front man), Niall Fennell (drummer) Jonny Fyffe (bassist) and Liam Deakin (guitarist) effortlessly combine huge hooks with gritty verses, indie sensibilities and rhythm and blues groove and melodies to create an altogether different beast.
The music defies categorisation, rolling seamlessly from crashing percussion to huge, swinging bass. There are epic singalong choruses destined for stadiums and packed festival main stages, and darker, edgier moments evoking late night cruises down dingy back streets. The band have been together since they were kids and they have matured into one of the UK’s most exciting new bands.
They are about to embark on their latest headline UK tour, taking in cities up and down the UK and iconic venues, on the back of the critically acclaimed release of live favourite Hate The Player, a strident, shouty monster anthem about sex, love and modern life – and strong, strong women.
The band also hit the road throughout the autumn and winter of 2022 supporting The Reytons, on their sold-out nationwide tour, following main support slots for the Pigeon Detectives, DMAs, The Enemy and The Snuts.
They completed a 16 date solo national tour in March 2022 and then embarked on a series of gigs to finish the year with a seven date solo tour culminating in a sold out 1300 capacity home town gig in Brum at the O2 Institute in late December.
The band have been featured, to date, on Radio 1, 6, X and XS as well as Soccer AM & Clashmusic.com. They were also honoured to play on Radio 1’s Big Weekend last year. In 2022 they released the single Electric, which has been played across BBC Radio Leicester, BBC Radio Derby, BBC Radio Nottingham, Student Music Network and more, and they followed this with their summer release Forever Young in July.

Previous to this, two singles have reached No1 in the iTunes rock chart and just outside the Top 20 on the main chart and they have been playlisted by Spotify on All New Rock, Deezer’s Hot New Rock and YouTube’s Your New Alternative Playlist. The last three singles have witnessed real growth with over 4million streams and 65k monthly listeners. There are plans for a release in early 2023 with a high-profile collaboration in the offing later in the spring. Watch this space!

The Clause have had extensive support across all media – Soccer AM, BT Sports, This Feeling, Gigslutz, Band of the Day on Maximum Volume Music and Scottish Music Network among many others, plus a cover feature in the Sunday Mail and two-page interview on the Daily Record. They have also recently been awarded the BMA ‘Best Band’ for the second year running, as well as ‘Best Indie and Alternative’ act.

2023 is off to a flying start in the press with strong support across the UK for the Hate The Player release and the tour around it, from a coveted Clash Music video premiere to a Scottish radio tour and major national press features with the likes of Sunday Mail and Daily Record.

To find out more about The Clause check out the following links or search for them on Spotify.

Spotify:
https://open.spotify.com/artist/7KpYPnMoADYtIMt1XPvmzZ?si=D6y8CRNQRUqWD3F-SZKgOQ

Apple Music:
https://music.apple.com/gb/artist/the-clause/1080747114

Youtube:
https://www.youtube.com/channel/UCt67eHe_NOt3XHCbhzo9x3Q/featured

Press & The Industry View:

Perry Farrell – ‘When I talk to some musicians I can tell they’ve been touched by God, some, God has given them a back message and the CLAUSE – I think God really sunk his claws into them.’
Geoff Ellis – TRNSMT and DF Concerts – “The Clause have really got something and they’re a band I am excited to work with. It’s only a matter of time before their dream of playing TRNSMT comes true.”
Skream – “I think as a band they’re cool as fuck.”
Simon Foy, Nordoff Robbins – “One of the most exciting bands I’ve heard in years – The Clause are going places. The single and video are incredible, they really stand out. I have no doubt they will be winning awards in future!”

Chris Beltran DF Concerts – “From the minute I first heard The Clause’s music I knew they’d be a band that would matter to people. Catchy indie rock anthems delivered with an effortless cool.”

The Sunday Mail – ‘The new feelgood single is the perfect time to get us all dancing out of lockdown’

The Birmingham Music Awards – The biggest winners of the night, best band, best indie band, best single’

Metropolitan & melodic, The Chase are a blend of cultural influences that pay tribute to their council estate roots. Over the years, the band have gained a dedicated fanbase that has launched them into the indie music scene & beyond. 2021 saw debut shows at some of the best UK festivals (Isle of Wight, The Great Escape) & a sold out UK tour. 2022 has seen support slots with The Rifles, The Skinner Brothers & The Clause. The lads have been tipped as one of the best new bands on the scene by press, promoters, radio & anyone who see’s them live.

Formed in their pre-teens, the multi-instrumentalists have a multicultural background that has inspired their sound. Brothers Tyler (frontman) & Dion (drums) were born & raised in Notts with Scottish & Caribbean heritage. With cousin Luke on the bass & keyboard warrior James, the result is a sound that is both uniquely British & undeniably infectious.

From The Beatles to Damian Marley, you will hear the impact their upbringing has on their writing & performance. Frontman Tyler is equal parts rugged, glam & real. By day a labourer, but by night he’s commanding the stage in leopard print bringing strong Marc Bolan vibes. He describes his fashion as “Champagne taste with a lemonade budget” – which is the most accurate thing we’ve ever heard. “Our live show is theatrical & full of showmanship, I couldn’t do it any other way. We want the crowd involved, we love it when they’re singing back at us, it’s part of the experience for us & them.”

Tom A. Smith is a singer-songwriter from Sunderland.

With countless radio plays on BBC Radio 1, Radio X and more. Appearances on Channel 4’s Sunday Brunch, Soccer AM, MOTDX and Blue Peter. He’s put out a handful of EPs to date, with the most recent being ‘EP3’ in 2023 including a collaboration with Miles Kane and has landed support slots for the likes of Elton John, James, DMA’s, The Mysterines, Courteeners and Catfish and The Bottlemen, as well as appearing at many festivals such as Glastonbury and Leeds.

Tom A. Smith sold out more than ten dates on a mammoth UK tour in December last year and has much more music to come in late 2024.

Vince Freeman embodies Tough Country. A two-time UK Indy Award winner with a Platinum single and a run on The Voice UK, his story is truly unique. Vince released his debut album Scars, Ghosts & Glory last year, and has shared the stage with the likes of Eric Clapton, Van Morrison, James Morrison and Scouting For Girls.

Among Vince’s many performance and songwriting achievements, he has earned 5 European Top 10s for his vocal and writing contributions, a Platinum disc for his vocal performance on the 2019 hit “Sun Is Shining” by Lost Frequencies and co-writing credits on the 2021 Fredde Le Grande hit “Devils”

Yizzy is the next gen of grime. Pushing the genre past its self-imposed boundaries while nodding to its roots, the Lewisham MC is running the baton for the scene’s new wave. At just 19, Yizzy displays a talent beyond his years and an ambition that few of his peers can match. Wrapping his tight, teeth-gritting flow and memorable hooks around gold standard grime production, his live mic skills and ability have earned him co-signs from the genre’s biggest names including Ghetts, Dizzee, Wiley, and Devlin.Few 17-year-olds can claim national radio play, but Radio 1 spun Yizzy’s ‘Grime Kid’ ten days after hitting that age. It’s just one in a string of successes for the MC: his S.O.S EP amassed one million streams in just three months, while he’s been featured by the Fader, NME, Complex, Trench, SBTV, RWD, Red Bull’s best grime tracks of ‘17 and Sian Anderson’s 1Xtra ones to watch. Initially hailed by Glastonbury’s Emerging Talent Contest and BBC Introducing, Yizzy has built on these early achievements, performing alongside grime royalty at Printworks’ Eskimo Dance, featuring on the ninth edition of Lord Of The Mics – plus his own headline show at Islington Academy 2

Emerging in 2017 from the heart of Norwich, Youth Killed It swiftly commanded attention and has been making waves ever since. Armed with infectious riffs, razor-sharp wit, and unabashed bravado, they’ve solidified their place within the UK music scene.

Their journey boasts performances at prestigious festivals like Isle of Wight, Stockton Calling, and Teddy Rocks. They’ve shared stages with renowned artists including LaFontaines, MassMatiks, Goldie Lookin Chain, Scouting for Girls, The Snuts, The Sherlocks, The Skints, and The Kooks. Their European tour alongside The Frights showcased their dynamic presence beyond the UK.

The band’s sonic tales have resonated across major platforms like Radio 1 with Jack Saunders, Phil Taggart, Huw Stephens, and Neyls Hylton. Their tracks have found homes on screens too, featured on Sky Sports, BT Sports, Eastenders, and Tattoo Fixers.

With over 3.5 million Spotify streams and a dedicated following of 6k on the platform, their music, often likened to the energy of Hard-Fi, Soft Play, The Streets, and Jamie T, has struck a chord with music enthusiasts.

Youth Killed It proudly boasts two albums and one EP, commanding sold-out headline shows at iconic venues like Camden Assembly, London, and The Waterfront, Norwich.

Their sonic arsenal blends indie and punk rock, delivering an electrifying fusion that demands attention from anyone craving high-octane, infectious music.

Youth Killed IT are:

– Jack Murphy – Vocals
– Danny De-Ara Torres – Guitar
– Paul Gaul – Guitar
– Joel Mullin – Drums

Introducing Zoro, a multigenre producer & DJ born and raised out of Bristol.
After cutting his teeth on drum & bass, he has now crafted his own lane, mixing a wide range of tempos & grooves including garage, electro, funky & dubstep. As well as drawing influence from the classic jungle, grime & mums’ disco selections of his youth. His ethos is to always keep things exciting both in the studio and in the dance. You can always guarantee a high energy, vocal heavy set full of Zoro’s own productions.

As well as playing across the most iconic UK festivals and venues, such as Boomtown, Glastonbury, & Printworks, he has now established himself on the International circuit, fresh off the back of his Australia & NZ tour.
2025 also brought the opportunity to play a part in the creation of the opening ceremony for Boomtown, alongside playing Hidden Woods with Killa P.

His music has been championed by legends of the craft such as Shy FX, Randall, Oppidan, Sam Binga, Chimpo, Eats Everything and Dr Dubplate. Tracks Including collaborations with icons such as Warrior Queen, Kamakaze, Logan, Trilla, Lzee & CW Jones.

Every week brings new inspiration. You can expect more genre fusions, vocal collaborations, huge remixes & link ups with some of the UK’s finest labels. The next chapter will be pivotal for Zoro.